Bringing the World to Life Through Sculptural Relief
About
Carol Kaminski
Bringing the World to Life Through Sculptural relief
“Decoration is really about creating a quality of life, and a beauty in that life.”
~ Albert Hadley, American Interior Decorator and Designer
“Decoration is really about creating a quality of life, and a beauty in that life.”
~ Albert Hadley, American Interior Decorator and Designer
The right piece doesn’t just live in a space—it changes how that space is experienced,
quietly shaping the atmosphere around it.
Built for the moment you look closer.
My work lives in the shifting space where light lands — and where looking longer reveals more than first seen. My sculptures focus on moments that are often passed over—birds resting in tall grass, the quiet structure of flowers, the suspended balance of the human body in motion. These subjects matter to me because they reward attention. The longer you look, the more they reveal.
"the shapes arise!"
~walt whitman
I INVITE YOU TO follow my journey and watch how the shapes arise.
Creating What Reveals Itself Over Time
“My interest in bas relief started when I saw an artist on a PBS special who created bas relief murals on the walls of his client's homes. I thought it would be interesting to be able to build a 3D tree on a wall in your home, with a branch diving into the wall, and then reappearing around the corner on an adjoining wall. So I built a moveable easel in my garage and tried to figure out how to do it.”
I grew up close to nature, and that early experience shaped how I notice the world. I’m drawn to forms that hold both strength and fragility, and to scenes where stillness contains movement. Whether I’m working with waterfowl, botanical forms, or dancers, I’m interested in how presence is built through small decisions: posture, spacing, pressure, and restraint.
Process and material are essential to this work. Each piece is slowly in plaster—layering, carving, sanding, and refining the surface over time. The relief format allows light and shadow to do real work. As the light changes, the piece changes. Form clarifies where light lands, and shadow deepens what might otherwise go unnoticed. Some works remain white so nothing distracts from structure; others are colored sparingly to support the form rather than dominate it.
My bas-reliefs are not simply decorative objects, but windows into a world where every petal, feather, and leaf carries weight and presence. They are grounded in the belief that art should reward attention and evoke a quiet sense of discovery—inviting the viewer into a closer, more attentive way of seeing.
My goal is not to tell a story, but to create space for looking, curiosity, and recognition—space to notice what emerges where light lands.
I grew up close to nature, and that early experience shaped how I notice the world. I’m drawn to forms that hold both strength and fragility, and to scenes where stillness contains movement. Whether I’m working with waterfowl, botanical forms, or dancers, I’m interested in how presence is built through small decisions: posture, spacing, pressure, and restraint.
Process and material are essential to this work. Each piece is slowly in plaster—layering, carving, sanding, and refining the surface over time. The relief format allows light and shadow to do real work. As the light changes, the piece changes. Form clarifies where light lands, and shadow deepens what might otherwise go unnoticed. Some works remain white so nothing distracts from structure; others are colored sparingly to support the form rather than dominate it.
My bas-reliefs are not simply decorative objects, but windows into a world where every petal, feather, and leaf carries weight and presence. They are grounded in the belief that art should reward attention and evoke a quiet sense of discovery—inviting the viewer into a closer, more attentive way of seeing.
My goal is not to tell a story, but to create space for looking, curiosity, and recognition—space to notice what emerges where light lands.
REPRESENTED BY:
REPRESENTED BY:
“Not every piece will speak to every person. And that’s good. Because when the right piece finds the right collector, it’s like recognition. You don’t choose it—it chooses you.”
"I create with a very specific person in mind: someone who values depth, authenticity, and resonance. When you see yourself in my work, you’re the one I was creating for.”
“Not every piece will speak to every person. And that’s good. Because when the right piece finds the right collector, it’s like recognition. You don’t choose it—it chooses you.”
"I create with a very specific person in mind: someone who values depth, authenticity, and resonance. When you see yourself in my work, you’re the one I was creating for.”
built in Depth - seen in Light
Forms that emerge through shadow and surface
"I am going to make everything around me beautiful - that will be my life."
~ Elsie deWolfe, Pioneering American Interior Decorator
"I am going to make everything around me beautiful - that will be my life."
~ Elsie deWolfe, Pioneering American Interior Decorator
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My works reveal themselves over time. The first to have access to them? My private collectors’ list.
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COLLECTOR REVIEWS
Words from those who’ve welcomed art into their lives.
BREATHTAKINGLY ELEGANT
"I was absolutley captivated when I saw the white relief of the ballet dancer. The delicate curves and subtle shadows make it feel alive - as if she might start moving at any moment. The craftsmanship is extraordinary, and the all-white design gives it such quiet power and grace."
~ Paula D., Atlanta, GA
TRULY A CONVERSaTION PIECE
"The egret piece is stunning. Carol's attention to texture and form, especially with the touch of real feathers, creates a perfect blend of realism and minimalism. It would bring a sense of calm and natural beauty to any home. I especially love that the neutral color of the plaster will work on any color wall."
~ Gregson P, Interior Decorator
I SEE SOMETHING NEW EACH TIME i LOOK AT IT
"I fell in love with the pine cone relief as soon as I saw it. The detail is so refined, and the white palette gives it a peaceful, timeless quality. Every time I walk by, I notice something new in the way the light plays across the surface. Simply exquisite."
~ Amanda S., Detroit, MI
"THE DEPTH IN DETAIL IS AMAZING"
I saw a photo on Carol's website of a piece I was interested in. The photo did not do it justice! It looks so different in person when you can actually see the 3D effect."
~ Terri D., Farmington, NM
Bringing the World to Life
through Sculptural Relief
